Music · Visual Art · Literature
Hasan -Vs- Goliath (b. William Robinson) is a beatmaker and emcee. He first emerged as usephasan in the late 1990s. He makes a mesmerizing blend of hypnotic rhythms and ethereal sounds; "Hasan Vs Goliath" transports you to a laid-back realm. With nostalgic echoes from the '70s, '80s, and '90s, this experience invites listeners to find themselves in its dreamy essence.
Hasan Vs Goliath blends avant-garde sounds with easy listening vibes. Creating a unique lounge atmosphere. His music fuses instrumental alt hip-hop with alt jazz, crafting rich auditory experiences. The fusion of jazztronica and instrumental rap/hip-hop results in a jazzy hip-hop style that captivates listeners. He takes an abstract approach. He explores IDM and leftfield influences. He pushes the boundaries of his sound.
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Circa: Post-Modern Marketing | Bio | Urban Sufi Music | Resume
Scarlet Runners
Every page must explode, whether through seriousness, profundity, turbulence, nausea, the new, the eternal, annihilating nonsense, enthusiasm for principles, or the way it is printed.
All the painters who appear in our museums are failures at painting; the only people ever talked about are failures; the world is divided into two categories of people: failures and those unknown.
The Isms of Art (1914—1924)
Edited by Hans Arp and El Lissitzky
I do not consider myself a Cubist either because I have come to the conclusion that cubes are not always made for expressing the thought of the brain and of the feeling of the spirit.
I capture all these impressions without any hurry to transfer to the canvas. I let them rest in my brain and then, when I’m visited by the spirit of creation, I improvise my paintings just as a musician improvises his music.